SmokeLong Quarterly — “Brought to Shore”

Hobart — “Die Ag No Sis”

decomP — “It’ll Be Different for Everyone”

Literary Orphans — “okémon”

Fiction Southeast — “Heavy Bucket Heart”

Cease, Cows — “Greatest Hits”

Crack the Spine — “A Fucking Riot”

Molotov Cocktail — “Anterograde”

Maudlin House — “The Things We’ll Remember”

Jersey Devil Press — “Magic Wand”

Anti-Heroin Chic — “The Brother We Share”

No Contact — “My Threads”

scissors & spackle — “Jeremy’s Never-Agains”

Variant Literature — “21 Questions”

Bending Genres — “Asheville”

Door Is A Jar — “Time Stood Still”

Up North Lit — “Leave”

FIVE:2:ONE — “Sit”

Cabinet of Heed — “The Place in Which She Lives”

Semicolon — “Old Carton Faces”

Twin Pies Literary — “Down and Out Together”

Vending Machine Press — “Drinking Your Lye”

The Daily Drunk — “Ode to Eraserhead Baby”

Identity Theory — “Heirloom”

Stone of Madness Press — “Contact”

The Bookends Review — “Something in the Way”

Thrice Fiction — “T(w)omb”

The Daily Drunk — “SMB NES”

Eunoia Review — “Sine Waves,”   “God’s Honest,”   “The Curer,”   “An Aesthetic/Anesthetic,”   “Har-de-har-har,” and “The Unspeakable Thing”

Apocrypha and Abstractions — “Marly Marbles’ Shingles”

Oblong — “Fugue”

The Open End — “A Life Returned” and “Sanctuary”

Wraith Infirmity Muses — “DPDR”

Flash Fiction Magazine — “Wannerin & Wunnerin”

Echo: A Journal of Creative Nonfiction — “Enby Late Starter”

White Wall Review — “Replaced by the Void”

OPEN: Journal of Arts & Letters — “Clouds of Static”

FEED — “The Morning Hills of Your Mind”

Word Doodles — “Going Back Home”