SmokeLong Quarterly — “Brought to Shore”
Hobart — “Die Ag No Sis”
decomP — “It’ll Be Different for Everyone”
Literary Orphans — “okémon”
Fiction Southeast — “Heavy Bucket Heart”
Cease, Cows — “Greatest Hits”
Crack the Spine — “A Fucking Riot”
Molotov Cocktail — “Anterograde”
Maudlin House — “The Things We’ll Remember”
Jersey Devil Press — “Magic Wand”
Anti-Heroin Chic — “The Brother We Share”
No Contact — “My Threads”
Variant Literature — “21 Questions”
Bending Genres — “Asheville”
Door Is A Jar — “Time Stood Still”
Up North Lit — “Leave”
FIVE:2:ONE — “Sit”
Cabinet of Heed — “The Place in Which She Lives”
Semicolon — “Old Carton Faces”
Twin Pies Literary — “Down and Out Together”
Vending Machine Press — “Drinking Your Lye”
The Daily Drunk — “Ode to Eraserhead Baby”
Identity Theory — “Heirloom”
Stone of Madness Press — “Contact”
The Bookends Review — “Something in the Way”
Thrice Fiction — “T(w)omb”
The Daily Drunk — “SMB NES”
Eunoia Review — “Sine Waves,” “God’s Honest,” “The Curer,” “An Aesthetic/Anesthetic,” “Har-de-har-har,” and “The Unspeakable Thing”
Apocrypha and Abstractions — “Marly Marbles’ Shingles”
Oblong — “Fugue”
The Open End — “A Life Returned” and “Sanctuary”
Wraith Infirmity Muses — “DPDR”
Flash Fiction Magazine — “Wannerin & Wunnerin”
Echo: A Journal of Creative Nonfiction — “Enby Late Starter”
White Wall Review — “Replaced by the Void”
OPEN: Journal of Arts & Letters — “Clouds of Static”
FEED — “The Morning Hills of Your Mind”
Word Doodles — “Going Back Home”